Archive for the ‘comedy’ Category

WALK HARD: THE DEWEY COX STORY

Sunday, July 20th, 2008

This week’s movie:

WALK HARD: THE DEWEY COX STORY

No one eats poop in this movie!

I find that a good indicator of the quality of a comedy is whether or not anyone ends up eating poop. In a lesser comedy, one that’s not intrinsically very funny, the film-maker will try everything in the Porky’s / American Pie / National Lampoon bag-o-tricks – even if it doesn’t fit – to try to get you to laugh. It often works because they know it will stimulate a little dangley bit on the underside of the brain that causes you to find amusement in the stupidest things – it’s a cheap shot – they don’t even have to work for it. You’ll probably laugh because you can’t help it, but you’ll immediately regret having done so – it’s not really funny when you think about it, and it gets old very fast. It’s an old trick. The old vaudevillians were always trained that when the audience wasn’t responding – do a pratfall – they have to laugh, they can’t help it. What can I say, humans laugh at stupid stuff. Why else would people tune in to television every week to watch home movies of people falling down, or getting hit in the nads with a soccer ball, or getting a pie in the face? This week’s movie, WALK HARD: THE DEWEY COX STORY, is funny from the opening scene to the very last fade-to-black. You’ll laugh, guaranteed, but those laughs will have been earned the hard way – with clever dialog and sincere adherence to the story’s premise and material.

The film is a parody of music biopics like the Johnny Cash bio, Walk the Line, and the Ray Charles bio, Ray. These films are the obvious target material for parody, but it also includes references to Jim Morrison, Brian Wilson of the Beach Boys, Bob Dylan, and the Beatles. I’m sure you may recognize others. But this isn’t like the Wayan’s Brothers Scary Movie kind of parody or even like the Abrahams and Zucker Airplane or Naked Gun parodies. It doesn’t use topical references and slapstick to solicit laughs. It doesn’t have to. It is true to it’s source material in that it works entirely within the context of the story, in the correct time-line. For example, it doesn’t make references to Brittany Spears or Paris Hilton during the part of the story that takes place in the 60’s. They could have – and they could have gotten big laughs by doing that. The problem with that is that ten years from now, nobody will remember Brittany Spears or Paris Hilton and so the humor will have been lost. I suppose that you could also argue that in ten years, nobody will remember ‘Walk the Line’ or the other films that are being parodied here – but that’s okay, the movie works just as well on it’s own.

Judd Apatow and Co. have been very prolific lately with hits like The 40 Year Old Virgin, Superbad, Knocked Up, and Forgetting Sarah Marshall. WALK HARD is as funny as these others, but it’s a different kind of comedy. For one thing, it’s not as crude as those (this is a lie) and there’s also not much profanity (another lie), and it doesn’t have as many “adult” situations (big lie), it also doesn’t depict excessive drug use (big lie), and never once strays into the realm of bad taste (a whopper!). Okay, it’s lewd and raunchy and politically incorrect – but so what! this is an adult comedy, not intended for children. Adult comedy should not be dumbed down to please the censors or conservative “family values” groups. There are no family values in this movie – just funny bits. You can’t be afraid to laugh here – just go for it. You’ll still respect yourself in the morning.

DEWEY COX (lot’s of obvious fun made with the name) is a fictional character, but he might as well be real. He’s familiar enough to be Johnny Cash or Ray Charles (I know Ray is black – work with me here) or Bob Dylan or any other veteran of a VH1 “Behind the Music” special. It’s funny, not so much because of the jokes, but because of the familiarity. We recognize all of the traits because we’ve seen then before – we’ve grown up with them. They may be exaggerated in this film, but that just serves to underscore them more effectively. As a plus, all new songs were written for the film and are performed by the actors themselves, and you know what? They ain’t bad.

I keep saying that this movie is funny – but just how funny is it? Let me see if I can come up with some analogous levels of funny.

  1. This may seem a bit cliche, but if I said it was more fun than a barrel of monkeys, that’s saying a lot. I mean – think about it. Imagine a real barrel full of actual monkeys – how funny would that be! Let’s just downplay, for the moment, the fact that chimps eat their young. They could marmosets or macaques or how about howler monkeys – yes, a barrel of howler monkeys! Now, that’s what I call ‘funny’.
  2. I’m reminded of rotifers. Rotifers are a class of microscopic aquatic invertebrates. Despite their small size, they are the undisputed comedians of the undersea world. There’s an old rotifer joke that goes, “There are three rotifers in a row on the edge of a barnacle. The rotifer on the left spins its tentacles clockwise, drawing passing food into itself. The rotifer on the right spins its tentacles counter-clockwise. The rotifer in the middle can’t spin its tentacle either clockwise or counter-clockwise without entangling them with one of its neighbors. Instead, it repositions itself upside down and eats the barnacle. The left and right rotifers stare at their now bloated comrade and one comments – That’s what happens when you don’t exercise.” …………………………………………………………….Trust me. If you were a rotifer, you’d be rolling on the floor laughing right about now.
  3. Let’s consider a funny scenario. You are carrying a large pane of glass when you slip on a banana peel. Just at that moment, the participants of a high speed car chase intersect with you. You hit the ground and throw out your back. The cars shatter the glass showering you with pointy shards. The tires of the car grind them into your flesh. A bystander screams and accidentally overturns a produce cart, causing the fresh-cut lemons to roll in your direction, squirting fresh lemon juice into your wounds. Finally, a policeman comes up to you and hands you a citation with a heavy fine for 1) littering (broken glass), and 2) loitering. ………………………………………..okay – so maybe it wouldn’t seem that funny to you…………..
  4. If funny was a candy bar, The Jerk would be a Hershey bar with almonds. National Lampoon’s Animal House would be a Kit Kat bar. Clerks would be a Cadbury Egg (obscenely sweet). The dark comedy, American Psycho, is a Dove Extra Dark Chocolate bar. Stanley Kubrick’s, Dr. Strangelove, would be an exquisite Godiva Assortment. Any movie with Larry, the Cable Guy (I think he eats poop in most of his movies) would be practical joke chocolate – you know, the kind that looks like chocolate but is really a powerful laxative. In this context, this week’s film, WALK HARD: THE DEWEY COX STORY, is a Jaguar. I know it’s a car, but as much as I like chocolate, a Jaguar is still better than any candy bar.
  5. What is the funniest animal? Some say kittens or puppies because they make you laugh but that’s incorrect. The subtle difference is that kittens and puppies are cute, not funny. Another misconception is the Hyena, because “they’re so funny that they make themselves laugh”. The truth is, it’s not so much a laugh as a sneer. They think so highly of themselves that they constantly laughing smugly at the inferiority of others. They’re not at all funny and you just want to slap that stupid grin off their face. Dogs – you ask? No! Dogs eat poop, which means they’re trying way too hard and can’t think of anything funnier. Is it monkeys – no! Monkeys are only funny in a large group, as in “a barrel of howler monkeys”. A solitary monkey is rather sad and just a tad creepy. No, the funniest animals are the lemurs – heh heh, those guys……….
  6. What is the funniest country? Of course, one’s first impulse is to say “Turkey”, an unfortunate name. I mean, how can you take a country with a name like Turkey seriously? Or what about Greece (another unfortunate name)? ……and the really odd coincidence is that they’re right next to one another on the map. You would think that that would be a pretty funny part of the world, but no! Funny names do not funny countries, make. The funniest country is Madagascar. Why? Lemurs – heh heh, those guys…………………
  7. Oh, and by the way, when did clowns transition from funny into disturbing? When I was a kid, clowns were funny, period! Then slowly, over the years, they seem to be regarded more as creepy evil killers of children than the clowns I remember. I’m guilty of it too – but I don’t remember how it happened. Was it the film, Killer Klowns from Outer Space?, or was it Ronald McDonald, lackey of the evil corporate multinational mega-company, who alway struck me as someone who would eat small children if he had his way?
  8. What’s the funniest movies ever made? I suppose that’s an unfair question since everybody has a different sense of humor. But let’s suppose you think of your vote for the five funniest movies of all time. Leave a comment below and tell me what they are. Here are mine, today – if you ask me tomorrow, this list may be slightly different. In no particular order: Monty Python and the Holy Grail; Airplane; Clerks; This is Spinal Tap; Young Frankenstein; and South Park – Bigger, Longer & Uncut. Yes! Yes! I know that’s six! So sue me! SO what’s your five (or six)?
  9. SO, I almost forgot the point of #8. WALK HARD: THE DEWEY COX STORY is not on that list. It’s not one of the five (or six) funniest movies of all time – but it is the funniest movies I’ve seen so far this year – and I’ve seen quite a few.
  10. Finally, what’s the funniest category from above? Is it candy bars, or countries or animals or movies – or is it something else? Who cares? Funny is funny. Although it’s in short supply in a lot of the world, humans need comedy, we need to laugh. If we didn’t occasionally laugh ourselves silly or piss our pants and fall on the floor (heavy drinking produces the same result but is not a viable substitute), we would be sad and angry all the time until our innate urge to kill someone overcame our innate urge to just say f*** it.

WALK HARD: THE DEWEY COX STORY. Don’t pass up this really funny film – it may save someone’s life.

Enjoy

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WRISTCUTTERS: A LOVE STORY

Saturday, May 17th, 2008

This week’s movie:

WRISTCUTTERS: A LOVE STORY

I cried at the end of Old Yeller.

Of course I was only six, but still …… so what? I also teared up a bit for Grave of the Fireflies, and Love Story, and Ghost, and My Girl, and Bambi, and Pandora’s Box, and The Bridge to Terabithia, and The Diving Bell and the Butterfly. You know …….the usual tear-jerkers. The point is, I consider myself relatively normal. My black sense of humor non-withstanding, I usually react to films the same way that most people do. So – when I say that I found this week’s movie, about an afterlife populated by people who have committed suicide, rather sweet and endearing, it’s not because I have a warped sensibility (I do, but that’s not why), it’s because the movie really is sweet and endearing.

Now, before you say, “Oh God! Not another one of these oddball freaky FranksFilms-esque movies! Why can’t you review ‘normal’ films like Made of Honor or What Happens in Vegas?” The truth is, I see a lot of movies like those and some of them are pretty good – but there’s nothing new or different or unusual about them. I know exactly what to expect, and I get it – they’re predictable, they’re pure entertainment, audience satisfying, seat filling ticket selling commodities but they won’t raise any new issues or make you think uncomfortable thoughts or make you look at the usual in an unusual way. Whereas, the films that I feature here typically have an unusual hook or do something exceptionally difficult or take chances that have a great payoff. WRISTCUTTERS: A LOVE STORY does all these things.

A young man, Zia, commits suicide (guess how) when he becomes disconsolate after his girlfriend dumps him. Now you might think, there’s no excuse for that, suicide solves nothing, nobody is worth killing yourself over …..to which i say, you haven’t seen his girlfriend – she pretty hot. The irony is, his is relegated to an afterlife two or three notches more depressing than the one he left behind. He is assigned a depressing job, lives in a depressing apartment with a roommate he hates. He considers committing suicide again but, who knows, he might end up in a worse place – I mean, where do you go if you’ve committed suicide from the suicide afterlife? I mean really, it boggles the mind.

Zia does make friends. Eugene, a failed Russian rocker, killed himself on stage during a show. They pick up girls together and compare suicide stories. Eugene lives with his family. Yes, his entire family committed suicide – not all at once. They are happy (somewhat) but it’s not easy to be happy here. You can’t smile, there are no stars in the sky, the landscape is bleak, nothing works right, there are no good jobs and no good apartments – what do you want? You’re dead – make the best of it.

All this so far is just a set up for the story. From a chance meeting, Zia is given a piece of information that sets him off on a journey – a quest of sorts – almost impossible, given the circumstances – but as he tells Eugene, “Do you have anything better to do?” He needs Eugene. Eugene has a car – a depressing one – the kind each of us has had at one time or another. Along the way, they pick up a hitchhiker, Mikal, who is on a quest of her own. She is looking for the PIC (People In Charge) because, she claims, she is there by mistake and would they please send her someplace nicer. They meet up with, and stay for a while at a small commune led by Tom Waits, and find a camp belonging to a suicide cult who, it seems, have been transported there en masse. They’re still up to their old tricks, so maybe we will find out what happens if you kill yourself in the suicide afterlife after all.

We never really find out why all the suicides end up here. Perhaps they’re given this opportunity to work things out in a way they weren’t able to in life. Maybe they’re forced to find happiness in a placed devoid of it. Maybe, if they find it, it’ll no longer be so damn depressing. Funny things is, although the landscape is stark and the circumstances are depressing – the movie isn’t. The movie is funny, and sweet, and happy and whimsical. In a bleak existence, miracles can (and must) still happen. Performing one seems to be a rite of passage – and one can still find friendship and purpose and even love.

The clever story and dialog contain lots of satire and social commentary. In the novel, “Good Omens” by Neil Gaiman & Terry Pratchett, One of the characters (a demon from hell) drives an antique car and points out a fundamental, if unwritten, law of nature that – “…any cassette left in a car for more than a fortnight turns into ‘Best of Queen’” In WRISTCUTTERS: ….., Eugene’s car points out another well know rule – any object that falls under the front seat, disappears from the known universe and is never seen again.

And finally, as the title implies, this is a love story – simple true and unpretentious, without gimmick (well …….except that it takes place in the suicide afterlife) – characters find love the way real people do (well …….that is, except that it takes place in the suicide afterlife). It is a universal story (except ……well, you know…..).

I know that suicide is a serious subject and that we shouldn’t make light of it – but the film never makes light of the suicides. It just proposes the concept that your life is unfinished and maybe there are still things you need to do. Besides, war is a serious subject and we still have films like Mash and Catch-22. Also, killing is very very serious, and yet Live Free or Die Hard is still a fun time at the movies, as is The Matrix and the Indiana Jones films and the James Bond films. So I don’t want to hear another word about it.

In the film What Dreams May Come, Robin Williams kids are killed in a car accident. He and his wife are beyond grief, but at least they have each other. A short time later, he is also killed in a car accident and goes to heaven (the real heaven). The mother, on the other hand can no longer cope with the grief and being alone and so – kills herself. She doesn’t go to heaven – not even a suicide’s version of it. Instead, she is sent to hell (yes! hell). It hardly seems fair. WRISTCUTTERS: A LOVE STORY, although it has a lot of suicides, is far less depressing – it’s much fair-er.

“Oh, Frank – I don’t know. This sounds really strange and bizarre. I don’t know if I would like this.” Yes – that’s the point. Films that are different are also original – and you might like a type of movie you haven’t seen before. But you won’t know until you try it. Of course, if you don’t like to try anything new, you could watch Sleepless in Seattle over and over and over and over …..

Over the years and thousands of movies, I’ve made some observations about romantic comedies. For instance: The plot to 80% of all romantic comedies: Boy and girl meet, they like one another, they fall in love, things are going great but one of them has a dark secret that the other can never find out, the other finds out, they break up, the one with the secret tries and tries to get the other one back, they get the other one back in the end, love conquers all. The plot to nearly all of the other 20% of romantic comedies. Boy and girl meet, they hate one another, they constantly fight and argue, during one particularly harsh shouting match – one reaches out and kisses the other, they realize that they actually love each other, love conquers all. I think that this genre needs new material to revive it – so I’m proposing 10 different and unique romantic plot lines for possible future films. I’m throwing them out there – feel free to use them as you wish.

  1. A single woman lives on a houseboat on Puget sound. Every time she falls asleep, she dreams of a romance with a single man from the East Coast, who dreams of her when he’s asleep. Time zones notwithstanding, they carry on a hot and heavy courtship every night. It’s called “Sleeping in Seattle”.
  2. A man with multiple personalities discovers that two of his selves have fallen in love and plan to get married – but a forth personality wants to put an end to this by stealing himself away from himself.
  3. A man with ten wives has an affair with a woman with ten husbands. Much of the movie involves trying to figure out exactly how many adulteries were committed.
  4. Everybody loves robots, but the truth is that most robots don’t get along with other robots. Two robots buck tradition by moving in together into a small 1 bedroom above a flower shop. The flower shop lady can’t understand why suddenly she always hears clanging metal. Perhaps she needs to get those pipes fixed – yeah, the pipes, that’s it.
  5. Two comatose patients suddenly become aware of each other when their telemetry monitor wires accidentally get crossed. He admires the occasional dips in her EEG’s alpha waves. She is turned on by the cute way his EKG spikes between the Q’s and the R’s every time he “sees’ her. The hospital staff get confused when her EKG suddenly develops a second fainter faster heartbeat.
  6. Co-joined male Siamese twins fall helplessly in love with co-joined female Siamese twins. The courtship runs into a roadblock because they can’t seem to get any ‘alone time’. After coming up with what they consider to be the ideal solution, an 18 hour operation by a team of surgeons separates the two sets of twins – then they reattached the male/female couples together. In a surprise twist, the couples, upon waking, are aghast when they find that they have been mistakingly attached to the wrong mate.
  7. A beer-guzzling hockey-loving man and an opera-going martini woman truly despise one another. Unfortunately, because they have spent most of their lives watching romantic comedies, they realized that they must eventually fall in love. In a bold move, they decide to get married to bypass the whole ‘falling in love’ progression and move straight to boredom.
  8. The His and Hers towels have been getting rather ‘cozy’ lately. Hers likes His casual, somewhat disheveled unfolded look, and His likes the feel of the fabric softener Hers has been washed in. It’s hard to ignore the other since they’re always hung side by side. One day, Hers leaves for a few minutes and comes back totally drenched. His is consumed with jealousy, and would like to storm off, but is fated to always hang next to Hers. The outcome is a bit predictable, I’ll admit, but with such likable attractive characters, this is one hell of a thrill ride.
  9. An anthropomorphic animated tale, the kind that Disney is so good at. Mandy’s biological clock is ticking. She’s a praying mantis who is down on love, but throughout the story, her heart softens a bit by the advances of Jerry, a charismatic wise-cracking male mantis. Finally, she can resist no longer and allows herself to fall madly in love with him. In the climatic ending, Mandy and Jerry share one long intense passionate kiss ……,before she bites Jerry’s head off. Love conquers all.
  10. Bill declares to the world, “I love chocolate cake!” His friends tease him, “Well, if you love it so much, why don’t you marry it!” – And so he does. On their 50th anniversary, he tells her, “You’re as fresh as the day you were baked.” It’s all the sugar, she tells him.

WRISTCUTTERS: A LOVE STORY – you’ll love this story.
Enjoy.

official wristcutter’s site

watch the trailer

O BROTHER, WHERE ART THOU?

Tuesday, April 11th, 2006


From the Archive: 8/9/2004
O BROTHER, WHERE ART THOU?

This movie is a few years old now, and some of you may have already seen it, but I haven’t seen anything really good lately and this is a really GOOD movie. Very funny – and clean (mostly). As a bonus, it has an award winning soundtrack. Supposedly, the story is very loosely based on Homer’s “Odyssey” (not Homer Simpson).

So let’s recap:

  • It’s funny – you’ll laugh.
  • It’s clean enough for you to watch it with your kids.
  • An award-winning soundtrack.
  • Based on the greek epic “The Odyssey”. Now you won’t have to read it.
  • An unual role for George Clooney.
  • Did I mention that it’s funny?

Enjoy.

KILL BILL, VOL.1

Monday, March 20th, 2006


From the Archive 4/26/2004
KILL BILL, vol.1

Even if you don’t like Quentin Tarantino’s movies, you have to admit that they got style. This one is his best (and don’t be yelling “Resevoir Dogs” at me – this is the one).

It’s violent. But the violence is so absurd, you’ll be laughing at it 20 minutes into the flick. It’s clever and slick, as are most QT’s movies.

This film has an added benefit to those of you who have watched a Bruce Lee feature or two. There are lots of references to those old movies: the yellow track suit that Uma wears through most of the film; the soundtrack; plently of references to The Green Hornet; etc…

This is what movies should be: a good time.

Enjoy.